Thursday, December 30, 2004

Artie Shaw


Artie Shaw, the jazz clarinetist and big-band leader who successfully challenged Benny Goodman's reign as the King of Swing with his recordings of "Begin the Beguine," "Lady Be Good" and "Star Dust" in the late 1930's, died yesterday at his home of natural causes. He was 94.

Upon learning of his death, most people expressed surprise that he had still been alive.

Artie Shaw's virtuosity on his instrument, his groups' highly original arrangements and his explosively romantic showmanship made him one of the most danced-to bandleaders of swing and one of the most listened-to artists of jazz. He quit performing in 1954 , but the many re-releases of his discs and his informed but often sardonic comments on music and many other subjects kept him in the public ear.

Mr. Shaw impressed and amazed clarinetists of all schools. Barney Bigard, the New Orleans clarinetist who was Duke Ellington's soloist for 14 years, said he considered Mr. Shaw the greatest clarinetist ever. Phil Woods, a saxophonist of the bebop era, took Charlie Parker as his inspiration on saxophone, but he modeled his clarinet playing on Mr. Shaw's. John Carter, a leading post-bop clarinetist, said he took up the instrument because of Mr. Shaw. And Franklin Cohen, the principal clarinetist of the Cleveland Orchestra, said he found his playing unbelievable.

In the 1930s, he formed a band with the same instrumentation as Goodman's, promising it would be "the loudest band in the whole damn world." As the band developed during a long run at the Roseland-State Ballroom in Boston, the original concept changed to a concentration on smoothly swinging treatments of the music of Jerome Kern, Cole Porter, Richard Rodgers, Vincent Youmans and others.

Mr. Shaw, however, was not prepared to put up with the demands of his fans, the bobby-soxers who mobbed him and tore his clothes, and whom he called morons. In December 1939, the tension finally made him walk off the bandstand at the Cafe Rouge of the Hotel Pennsylvania in New York City and disappear.

"I wanted to resign from the planet, not just music," he said later. "It stopped being fun with success. Money got in the way. Everybody got greedy, including me. Fear set in. I got miserable when I became a commodity."

He disappeared to what was then a little-known village in Mexico - Acapulco - where he was ignored for three months until he rescued a woman from drowning and reporters found out who he was. Then he returned home to Hollywood.

In December 1941, Mr. Shaw flew to California and married Elizabeth Kern, the daughter of Jerome Kern, before enlisting in the Navy. He was ordered to form a band, and when he heard the band members he had been given, he went AWOL ("tacitly," as he said) in order to see the Secretary of the Navy. Mr. Shaw left the meeting with permission to enlist a band to be taken to the Pacific. He recruited some of the best musicians he had worked with in civilian life. The band played up and down the Pacific, on tiny islands and in jungles. It played so relentlessly that in 1943 it was sent to New Zealand to rest, and a year later it was dissolved. Mr. Shaw received a medical discharge.

In March 1954, after a playing with a small group at the Embers in New York, he announced his retirement at age 43. He never performed again.

Among other things, he became a lecturer on the college circuit offering a choice of subjects, including "Consecutive Monogamy and Ideal Divorce," in which he presented himself as "the ex-husband of love goddesses and an authority on divorce."

His source material for his lectures came from his experience with eight wives, who included, in addition to Miss Kern, three movie stars (Lana Turner, Ava Gardner and Evelyn Keyes) and an author (Kathleen Winsor, who wrote the 1940's best-seller "Forever Amber").

"People ask what those women saw in me," Mr. Shaw said. "Let's face it, I wasn't a bad-looking stud. But that's not it. It's the music; it's standing up there under the lights. A lot of women just flip; looks have nothing to do with it. You call Mick Jagger good-looking?"

All his marriages ended in divorce.

- John S. Wilson (former jazz critic for The New York Times, Mr. Wilson died in 2002)

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